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“A lot of modern guitarists want to get all the notes right but if you listen to Jimi Hendrix or Jimmy Page, it’s beautiful playing, with loads of mistakes”: Peter Brewis on Field Music’s ‘collage rock’ – and why he owes his career to Robert Zemeckis
At an in-store performance at Monorail Records in Glasgow, Peter Brewis is bending his fretting hand into some origami-like shapes. Minor second clusters bloom into…
“I’m funny with amps. I love Marshalls, but I also love old Fender Deluxes. Dumble built one for me just before he passed away. I think it was the last one he ever built”: With Strats, Magnatones, and plenty of all-star guests, Slash embraces the blues
Blues guitar is a high-risk endeavor. Don’t be fooled into thinking it’s easy or safe just because there are fewer notes in the scale. If…
“Kurt launched into that track and totally went off. In the middle of the song, he smashed his guitar to bits”: The making of the album that virtually invented a new genre, sold 30 million copies, and changed rock forever
Nearly 15 years have passed since the release of Nirvana’s Nevermind on September 24, 1991. As of this writing, the record has sold tens of…
“I went to Lars’ house, and he played me the tape of Hit the Lights. I said, ‘This song sucks. You need more guitar solos’”: They forged a new sound, and in 10 years, they were the biggest band in the world
It was in Los Angeles almost 30 years ago that Lars Ulrich, a teenage tennis prodigy turned drummer, first jammed with James Hetfield, a guitarist…
“My friend talked to Joe Walsh and gave him my number. Awhile later, I got a message: ‘Adam Jones, this is the Talk Box fairy. Give me a call’”: Tool's Adam Jones on taking cues from Meshuggah, unorthodox pedals, and the trick he learned from Robert Fripp
Under the record industry’s model for success, Tool should have been dead and buried a long time ago. Whereas most bands “get it while the…
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