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“The Janie’s Got a Gun solo had a ratty sound. I had a Chet Atkins signature guitar plugged into a 15-watt Marshall practice amp… the producer said, ‘It sounds terrible’”: Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”
Leading up to August of this year, Joe Perry was busy preparing for a tour. Not just any tour – he was saddling up for…
“Every tour was the best I could have done. It was only after that I would listen to more Grateful Dead and realize I hadn’t come close”:John Mayer and Bob Weir reflect on 10 years of Dead & Company – and why the Sphere forced them to reassess everything
This year marks a decade since John Mayer teamed up with Grateful Dead singer and guitarist Bob Weir and drummers Mickey Hart and Bill Kreutzmann…
“Why wouldn’t you stay in the Sphere and make a lot of money? Because it’s not as much fun. It doesn’t last forever. Look at how many musicians have passed away. What are you going to do with what you have?” Trey Anastasio explains Phish’s joyful rebirth
Most bands that survive for four decades enter into a nostalgic phase of their career. But Phish is on fire in year 41. The quartet,…
“I worked on that crazy Fender Twin and never understood how it made such fabulous noise”: Stevie Ray Vaughan’s Twin Reverb amp, used in the recording of Texas Flood, Bowie sessions and live shows is up for sale… for over $600,000
A 1967 Fender Twin Reverb, said to have once belonged to the late blues guitar great Stevie Ray Vaughan, has gone up for sale on…
“The Grateful Dead wouldn’t let us use their amps. Ray was aghast – he kept saying, ‘Pigpen? Someone named Pigpen won’t let me use his instrument?’”: With a volatile lead singer and no bass player, they left an indelible mark on rock
“It was hard living with Jim.” Robby Krieger is talking about his days as guitarist with the Doors, reflecting on his role as creative sidekick…
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