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“I worked on that crazy Fender Twin and never understood how it made such fabulous noise”: Stevie Ray Vaughan’s Twin Reverb amp, used in the recording of Texas Flood, Bowie sessions and live shows is up for sale… for over $600,000
A 1967 Fender Twin Reverb, said to have once belonged to the late blues guitar great Stevie Ray Vaughan, has gone up for sale on…
“I was never fired from Kiss – I was left behind for a wildly successful commercial venture. You don’t have to be an accountant to understand Paul and Gene”: Bruce Kulick shares war stories from Kiss’ no-makeup era – and the reunion that killed it
Kiss’s non-makeup era is often relegated to “persona non grata” status – at least for original-lineup diehards. But things were different for Kiss fans growing…
“The Grateful Dead wouldn’t let us use their amps. Ray was aghast – he kept saying, ‘Pigpen? Someone named Pigpen won’t let me use his instrument?’”: With a volatile lead singer and no bass player, they left an indelible mark on rock
“It was hard living with Jim.” Robby Krieger is talking about his days as guitarist with the Doors, reflecting on his role as creative sidekick…
“The volume was painful. The loudness came from Stevie, who had a Frankenstein wall of amps”: Marked by substance abuse, new members, and studio snags – Stevie Ray Vaughan's Soul to Soul was a classic that signaled trouble to come
As Stevie Ray Vaughan and Double Trouble entered Dallas Sound Lab to begin recording their third album in March 1985, they were nearing the end…
“Everything in Double Trouble was a spontaneous thing – there was no plan”: How bassist Tommy Shannon stumbled onto the funky foundation for one of Stevie Ray Vaughan’s biggest radio hits
The indelible image of legendary guitarist Stevie Ray Vaughan is him standing at the front of the stage, growling into the microphone, and doing things…
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