Categories: Guitar.com
Related Articles
“The volume was painful. The loudness came from Stevie, who had a Frankenstein wall of amps”: Marked by substance abuse, new members, and studio snags – Stevie Ray Vaughan's Soul to Soul was a classic that signaled trouble to come
As Stevie Ray Vaughan and Double Trouble entered Dallas Sound Lab to begin recording their third album in March 1985, they were nearing the end…
“I worked on that crazy Fender Twin and never understood how it made such fabulous noise”: Stevie Ray Vaughan’s Twin Reverb amp, used in the recording of Texas Flood, Bowie sessions and live shows is up for sale… for over $600,000
A 1967 Fender Twin Reverb, said to have once belonged to the late blues guitar great Stevie Ray Vaughan, has gone up for sale on…
“Everything in Double Trouble was a spontaneous thing – there was no plan”: How bassist Tommy Shannon stumbled onto the funky foundation for one of Stevie Ray Vaughan’s biggest radio hits
The indelible image of legendary guitarist Stevie Ray Vaughan is him standing at the front of the stage, growling into the microphone, and doing things…
“Muddy Waters told my dad, ‘Jimmie, when I’m gone, teach everybody how to play like that.’ He liked the way he played slide”: He's the son of Jimmie Vaughan and the nephew of SRV, now he’s carrying the weight of his family playing legacy
Tyrone Vaughan was 17 when his uncle, Stevie Ray Vaughan, died in 1990. “Texas shut down for a couple of months, if not a whole…
“Every tour was the best I could have done. It was only after that I would listen to more Grateful Dead and realize I hadn’t come close”:John Mayer and Bob Weir reflect on 10 years of Dead & Company – and why the Sphere forced them to reassess everything
This year marks a decade since John Mayer teamed up with Grateful Dead singer and guitarist Bob Weir and drummers Mickey Hart and Bill Kreutzmann…
Responses