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If you’ve ever chased the warm, warbly magic of a vintage tape echo but didn’t want to deal with the maintenance, weight, or skyrocketing price…
“Every tour was the best I could have done. It was only after that I would listen to more Grateful Dead and realize I hadn’t come close”:John Mayer and Bob Weir reflect on 10 years of Dead & Company – and why the Sphere forced them to reassess everything
This year marks a decade since John Mayer teamed up with Grateful Dead singer and guitarist Bob Weir and drummers Mickey Hart and Bill Kreutzmann…
“Why wouldn’t you stay in the Sphere and make a lot of money? Because it’s not as much fun. It doesn’t last forever. Look at how many musicians have passed away. What are you going to do with what you have?” Trey Anastasio explains Phish’s joyful rebirth
Most bands that survive for four decades enter into a nostalgic phase of their career. But Phish is on fire in year 41. The quartet,…
“It can make you a legato-monster like Satch, give you EVH-level tapping skills, or turn your guitar into a synth sequencer”: DigiTech HammerOn review
What is it? (Image credit: Future) One of the most intriguing launches from NAMM ’25 had to be the DigiTech HammerOn. Representing another all-new pedal…
“The Janie’s Got a Gun solo had a ratty sound. I had a Chet Atkins signature guitar plugged into a 15-watt Marshall practice amp… the producer said, ‘It sounds terrible’”: Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”
Leading up to August of this year, Joe Perry was busy preparing for a tour. Not just any tour – he was saddling up for…
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