Related Articles
“I stopped caring what people thought. I stopped trying to sound like other people and my sound emerged. It was literally timed with my transition”: Ella Feingold gigged with Erykah Badu and jammed with Prince, but her transition made her a player
She’s worked with Queen Latifah, Erykah Badu, Bruno Mars and Anderson .Paak and very briefly with Prince – but Grammy-winning guitarist Ella Feingold is most…
“Bruno would send me records, and I would send him records. Eventually, he asked, ‘Would you want to play on a song?’”: How Ella Feingold got working with Bruno Mars – and how it differed from her Prince audition
From performing with a huge array of big-name artists – including Janet Jackson, Jay-Z, Erykah Badu, Queen Latifah, Nas, Destiny’s Child, and George Clinton, to…
How to Hear the Modes
We’ve all heard and read about the importance of understanding the modes of the diatonic scale. Intellectually they are very simple to understand. (Dusts…
“The volume was painful. The loudness came from Stevie, who had a Frankenstein wall of amps”: Marked by substance abuse, new members, and studio snags – Stevie Ray Vaughan's Soul to Soul was a classic that signaled trouble to come
As Stevie Ray Vaughan and Double Trouble entered Dallas Sound Lab to begin recording their third album in March 1985, they were nearing the end…
“Every time I pick up a guitar, it gives me such physical satisfaction. Playing funk is a direct exchange of good vibes”: Giacomo Turra’s energetic guitar skills evolved from his love of dance – and his self-taught style might just be the future of funk
Giacomo Turra is so goddamn funky he should come with a government health warning. Take some gentle stretches before listening. Apply Deep Heat to core…
Responses