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“My friend talked to Joe Walsh and gave him my number. Awhile later, I got a message: ‘Adam Jones, this is the Talk Box fairy. Give me a call’”: Tool's Adam Jones on taking cues from Meshuggah, unorthodox pedals, and the trick he learned from Robert Fripp
Under the record industry’s model for success, Tool should have been dead and buried a long time ago. Whereas most bands “get it while the…
“It might not be the ‘Marshall sound’ your grandad loves, but for those who revere the harder-edged sound Marshall brought us in the ’90s, the Studio 900 hits the spot”: Marshall Studio 900 head and combo review
What is it? Once thought of as a ‘modern Marshall amp’, you might like to sit down as you realise that the JCM 900 celebrates…
“I went to Lars’ house, and he played me the tape of Hit the Lights. I said, ‘This song sucks. You need more guitar solos’”: They forged a new sound, and in 10 years, they were the biggest band in the world
It was in Los Angeles almost 30 years ago that Lars Ulrich, a teenage tennis prodigy turned drummer, first jammed with James Hetfield, a guitarist…
“I open the door and there’s this 12-year-old kid, a stringless guitar in one hand, a pack of strings in the other”: How Joe Satriani and Steve Vai met, became fast friends, and changed guitar forever
Joe Satriani still remembers the first time he laid eyes on Steve Vai. It was 1972 in Carle Place, Long Island, and at the time,…
"Casting my eye over its clean and well-applied finish, I'm once again reminded that Gibson is currently producing some of the finest guitars in its history": Gibson Les Paul Studio Session review
What is it? Released in the early eighties as a less flashy alternative to the Les Paul Standard, the Studio looked to sound and play…
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