Mark Knopfler Explains Why He Left the Pick Behind
Mark Knopfler has spent decades shaping one of rock’s most recognizable guitar voices. Now he says that voice has changed again, this time by moving further away from the plectrum and deeper into fingerstyle playing.
In a new Guitar Player interview, the former Dire Straits guitarist says lack of use, along with three bouts of COVID, probably phased the pick out for him. He still respects it, though. Knopfler describes the plectrum as “a superior thing,” even while making clear that fingerpicking has become his main approach.

Why He Ditched The Pick
Knopfler’s comments are less about a grand reinvention than a practical shift. As he tells it, the pick simply stopped being part of his normal routine. That kind of change matters for players because technique often follows habit. When the hand settles into a different way of attacking the strings, phrasing, touch, and dynamics all move with it.
For Knopfler, the switch also fits the identity fans already know. His style has long leaned on fingers rather than flatpicking. And this latest admission suggests the balance has just tipped even further. It is a reminder that even veteran players keep adapting their right hand to what feels natural in the moment.
What It Means for Guitar Players
There is a practical lesson here for anyone working on feel. The tool matters, but so does consistency. A pick can deliver speed, precision, and a sharp attack. Fingerpicking can open the door to more control over texture and accent. Knopfler’s point is not that one method wins forever. It is that players can evolve with the demands of the body and the music.
That makes this story relevant well beyond a celebrity technique update. Many guitarists spend years locked into one right-hand habit. Knopfler’s experience is a nudge to reassess what actually serves the song. If a player finds more expression, comfort, or control by changing approach, that choice is worth serious attention.
The Bigger Takeaway Knopfler’s move away from the pick also underscores something guitar fans often overlook. technique is not fixed. It can shift with age, health, and repetition. In this case, the change appears to have been gradual and grounded in real-world use, not a statement about status or fashion.
For guitar players, that is encouraging. It suggests there is room to adjust without losing identity. A new hand position, a different attack, or a switch from pick to fingers can all reshape a player’s sound without erasing what made it special in the first place. Knopfler remains Knopfler, just with a different touch on the strings.
Responses