“As a compact amp modeler/cab simulator/Capture device, this is perhaps the best option out there, screen or no screen”: Neural DSP Nano Cortex review
When Neural DSP unveiled the Quad Cortex at NAMM 2020, the firm altered the face of the guitar world as we know it today. The ground-breaking piece of precision-engineered technology ushered in the next chapter of Neural DSP’s story, and built on the firm’s hugely popular plugin platform by unleashing an ultra-powerful, fully fledged amp modeling, cab-simulating, multi-effects processing floorboard.
It wasn’t a new concept, but the execution of the idea was something else. The Quad Cortex married consumer tech aesthetics and functionality with top-tier tones, further convincing countless players the world over to completely ditch their guitar amps and pedalboards.
To this day, the Quad Cortex is seen as the gold standard for floor-based multi-effects amp-modeling pedals. And, given the mounting competition that Neural DSP’s innovation has invited over the years, that’s no mean feat.
Line 6’s Helix line has been expanded with a number of pedals – the HX Stomp XL, HX One – which are all the recipients of regular firmware updates. Even Fender got in the game with the Tone Master Pro.
But now, four years after the launch of the inaugural Quad Cortex, its successor – or, should we say, its smaller sibling – is finally here. Enter the Nano Cortex – a teeny, tiny, amp modeler/cab simulator/effects processor/IR loader/Capture device that looks to deliver Quad Cortex tones in the smallest package yet.
So, what can the Nano Cortex actually do, how does it perform, and has it been worth the wait?
Neural DSP Nano Cortex review: Features
The Nano Cortex continues the precedent set by the Quad Cortex by arriving in a sleek matte gray chassis that wouldn’t look out of place at an Apple tech convention. It’s a very professional-looking bit of kit – sturdy, robust, and aesthetically pleasing – and a worthy companion to the Quad Cortex.
It is sized at 5.6” x 4.0” x 2.4” and weighs in at 1.36lbs, which is absolutely tiny. It’s big enough to accommodate a number of parameters, function buttons and your standard I/Os, but it’s plenty small enough to fit in your gig bag – or your pocket, if you have larger pockets. There is, however, a pretty notable omission: it hasn’t got a screen.
Instead, it’s just got knobs for Gain, Level, Bass, Mid and Treble, and an Amount control for controlling the five onboard effects. These all have LED rings, which show the parameters’ settings for any given preset. There’s also a side-mounted boost switch, ground-lift switch, MIDI jack and a headphone output for silent practice.
In operation, 25 Captures organized into five banks of five are joined by five IR slots, as well as two pre- and three-post effects that are exclusively reserved for a noise gate, transposer, Boss DC-2W-inspired chorus, BBD-style Analog Delay and a Mind Hall reverb. These are arranged in a fixed audio signal chain that cannot be expanded or changed.
Another big feature is the ‘Capture’ button, which can be used to create Neural DSP-quality Captures from the comfort of this minuscule pedal. It’s a very powerful appointment from such a small pedal, and Neural’s Capture process – which can digitally model any amp, cab, drive pedal, or all in one go – is mercifully easy (and hugely popular) so this is bound to be a huge selling point of the Nano.
Because of its size, the pedal has had to get creative with its on-platform operation, which at times can feel a bit clunky, contrary to the usual Neural DSP experience. Captures can be cycled through using the Bank button and the left-hand rotary footswitch.
The right rotary footswitch, meanwhile, cycles through IRs, of which there are five readily available at any given time. Overall, the Nano Cortex can store 256 Captures and 256 Impulse Responses, which can be loaded via the Cortex Cloud app (more on that in a bit).
Using the footswitches, four separate recallable presets can be made – IA and IB, and IIA and IIB. To navigate and activate/bypass effects manually on the pedal, the Effect button has to be pressed and held. Again, this can be rather clunky, especially when triggering effects on the fly.
The lack of a screen can be jarring at first, and certainly diminishes the usability of the Nano Cortex. The IK Multimedia TONEX – perhaps its closest competitor as a tiny all-in-one rig solution – has a screen (even if it is slightly archaic), while the Line 6 HX Stomp (albeit larger and more expensive) is also more tactile in operation.
Here, a simple strip screen telling you what Capture/IR combo you are playing through at any given moment – especially when one considers the sheer number of IRs and Captures that can be loaded into the pedal’s various banks – would have been nice.
But remember, this is meant to be ‘Nano’ in its design, and potentially the smallest pedal Neural DSP will ever put out. Not only that, but some of its other competitors – like the Kemper Profiler Player – also do away with the screen, so it may not be a genuine dealbreaker in this product category.
Given this remit, the feature set is within reason, and when you realize just how powerful this pedal is – and how good it sounds – these perceived user shortcomings are easily overlooked, especially when you remember what this is trying to be: a tiny, hugely versatile, sweet-sounding modeler that can expand, replace, and even Capture your existing rig.
That, and the Nano Cortex has a piece of partner software that makes the whole thing much easier…
Neural DSP Nano Cortex review: App
Given its smaller dimensions, the Nano Cortex relies heavily on the free Cortex Cloud app, which has been updated to allow for Bluetooth connectivity between app and pedal. Here, you can browse Neural DSP’s huge library of public Captures – from amp models to drive pedals – which can be easily uploaded to one of the Nano’s Capture slots with a few taps of a screen.
There’s a lot there, and this is a huge plus for the Nano Cortex. You can play Captures of vintage Fenders, boutique Two Rocks, and any number of Marshalls and Vox amps that have been modeled by Neural DSP users. Neural’s Capture process is widely regarded as being one of the best modeling technologies out there, and that is clear to see when playing through the endless Captures on offer: the tones are stellar.
The app can also be used to fine-tune the onboard effects (which, remember, can’t be swapped out) and can aid with cycling through Captures, organizing presets and assembling various guitar tones.
Phone/pedal compatibility is a common thing in the gear world now – just see the Positive Grid range – and while it can be a turn-off for more traditional players, the Cortex Cloud is gratifyingly easy to get around, and vastly improves the Nano experience.
Given the Cortex Cloud is crucial to getting the most out of the Nano Cortex, we’re pleased to see this is the case. It makes the streamlined control set a lot more palatable, and not as restrictive as first thought.
Neural DSP Nano Cortex review: Sounds
This is the most straightforward part: the sounds are truly exceptional. As a standalone pedal amp running through headphones or direct to a PA, the Nano Cortex excels, and the onboard effects – although limited with their options – are impossible to fault.
The chorus is luscious, the reverb very convincing, and the delay has a healthy amount of tweakability to it. The transposer also performs impeccably, and when a dedicated preset is set up, you can easily switch between guitar and bass voices, which is very neat indeed.
It’s also a fantastic pedal platform that responds well to analog and digital pedals alike. In front of an analog transparent overdrive, the clean amp Captures get an authentic-feeling ‘breakup bump’ that doesn’t feel like an underwhelming digital amp with some cranked fizzy gain.
All of these top-tier tones translate well into DAWs, because the Nano Cortex also functions as a USB audio interface that can – thanks to its tiny dimensions – also be powered as a standalone unit via USB-C.
Of course, it’s a Neural DSP product, so its sonic performance was never in doubt, but to have something so small sound so good – and offer a great way to expand existing rigs – is quite something. Basically, if you liked the sounds of the Quad Cortex, you’re going to like this. Similarly, if the QC was just too big for your liking and simply did too much, the Nano might be for you.
Neural DSP Nano Cortex review: Capture
One of the biggest selling points of the Nano Cortex is its Capture function. Like the QC, this can be used to “capture” – read “model” – any drive pedal, amp or cab of your choosing by simply using its integrated Capture input and output to hook up your chosen piece of gear. It can all be done from the pedal itself, which is a huge benefit.
If you know Capture tech, you probably already know it’s one of the best in the business, but for those who are unfamiliar, Neural’s proprietary software is seen as one of the best-performing modeling tools out there. There are countless sound examples on the net of successful Capture experiments, and it does an uncanny job of replicating analog gear.
The fact you can do this with such a tiny stompbox is, of course, impressive, and another demonstration of Neural’s engineering nous. However, the practicality of using Capture in this context is somewhat limited, given that you can’t use overdrive/distortion/fuzz Captures alongside amp Captures.
Remember, the signal chain is fixed, as are the effects slots, so if you want to use a drive you’ve Captured, you’ll run into a bit of trouble – you can’t dedicate a footswitch to tap in your favorite drive pedal, for example, unless you had a separate Capture that combined the two. It’s not impossible, just a bit of a long-winded workaround.
Neural DSP Nano Cortex review: Verdict
Guitarist’s have been waiting for a follow-up to the Quad Cortex for a long time, and it’s inevitable that the Nano Cortex will therefore divide opinion. For some, it might not be enough to fully ‘wow’ them. It is, after all, rather pricey ($549), and is more expensive than the screen-equipped ToneX ($349) – which is also geared towards amp and cab modeling, with some effects thrown in – but, notably, is considerably cheaper than the Kemper Player ($698),
It’s also not far off the HX Stomp ($649), which is more intuitive to use, but that seems to be an unfair comparison, seeing as the Stomp simply does more.
The Nano Cortex isn’t perfect. A display showing what Capture/IR you’re playing through would have been very handy, but that’s a sacrifice that Neural DSP has made in order to make the pedal easier to power – so, it’s something of a catch-22.
It has actually convinced this writer to ditch his Blues Junior combo and go completely ampless for live shows
However, interface issues are largely offset by the Cortex Cloud, which is as easy as it gets when it comes to controlling gear wirelessly, and the fact you can Capture an amp directly from the pedal itself is mind-blowing.
It also would also have been nice to be able swap out the pre-set effects for others of your choosing – for example, swapping the chorus out for a tremolo or a phaser. Maybe this will be something that gets introduced later down the line, but the current inability to do so is a bit of a shame.
But, in all, this is very accomplished, very small piece of kit, and for its size it is an exceptional pedal that needs to be heard – and used – to be fully appreciated.
In fact, it sounds so good, and is so conveniently sized, it has actually convinced this writer to ditch his Blues Junior combo and go completely ampless for live shows. As someone who has owned an HX Stomp for two years yet been hesitant to take the leap, that’s no mean feat.
And that’s where the Nano Cortex will truly find its niche. As was the case with the ToneX, the Nano Cortex is no doubt poised to become one of the more popular amp and cab replacement pedals on the market, and its huge flexibility (all things considered), sonic potential and portability is quite something. The fact it’s an ace pedal platform is even better.
There’s a reason Neural DSP is held in such high regard, and that’s because the firm is at the cutting edge of amp modeling – and as a compact amp modeler/cab simulator/Capture device, this is perhaps the best option out there, screen or no screen.
Neural DSP Nano Cortex review: Specs
- 64 preset slots
- 25 Captures organied in 5 banks
- 5 IR slots
- 5 Effects slots
- MIDI / Bluetooth support
- Cortex Cloud compatibility
- Controls: Gain, Bass, Mid, Treble, Amount, Level knobs / Bank, FX buttons / Exit, Capture, Save action buttons / 2 rotary footswitches
- Connectivity: USB-C, Input, Stereo Output, Exp/MIDI, Capture In and Out
- Price: $549
- Contact: Neural DSP
Responses