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“A lot of guitarists who can play killer leads get real sterile on their rhythm stuff – they’re all too careful about playing their chords dead straight”: Dimebag Darrell wrote 42 lesson columns for Guitar World. Here’s the best advice he shared
But first, a brief backstory by Nick Bowcott! Back in 1993, GW’s editors decided to run with an idea that would become a mainstay of…
“My friend talked to Joe Walsh and gave him my number. Awhile later, I got a message: ‘Adam Jones, this is the Talk Box fairy. Give me a call’”: Tool's Adam Jones on taking cues from Meshuggah, unorthodox pedals, and the trick he learned from Robert Fripp
Under the record industry’s model for success, Tool should have been dead and buried a long time ago. Whereas most bands “get it while the…
“The Janie’s Got a Gun solo had a ratty sound. I had a Chet Atkins signature guitar plugged into a 15-watt Marshall practice amp… the producer said, ‘It sounds terrible’”: Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”
Leading up to August of this year, Joe Perry was busy preparing for a tour. Not just any tour – he was saddling up for…
“Every tour was the best I could have done. It was only after that I would listen to more Grateful Dead and realize I hadn’t come close”:John Mayer and Bob Weir reflect on 10 years of Dead & Company – and why the Sphere forced them to reassess everything
This year marks a decade since John Mayer teamed up with Grateful Dead singer and guitarist Bob Weir and drummers Mickey Hart and Bill Kreutzmann…
“The Grateful Dead wouldn’t let us use their amps. Ray was aghast – he kept saying, ‘Pigpen? Someone named Pigpen won’t let me use his instrument?’”: With a volatile lead singer and no bass player, they left an indelible mark on rock
“It was hard living with Jim.” Robby Krieger is talking about his days as guitarist with the Doors, reflecting on his role as creative sidekick…
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