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“It’s used for fence posts in Guatemala, and somehow that has given it a low-class reputation on the internet”: Paul Reed Smith says the materials used to make a guitar absolutely do make a difference – but not for the reason you might think
Paul Reed Smith has once again leapt to the defense of tonewoods – but this time, he’s done so with a bit of a twist.…
In Defense of Maple, an Unsung Tonewood
There have been many celebrated tonewoods throughout the history of lutherie. In the electric-guitar domain, ash, alder, and mahogany have been traditional choices. For acoustics,…
“The entire audience in the room could hear the tonal difference”: Guthrie Govan has held tonewood tone tests in guitar clinics – and the results were unanimous
The Aristocrats’ Guthrie Govan has settled the tonewood debate once and for all. According to Govan, he went through the trouble of having two different…
“He preferred what was readily available – and affordable. And when he measured responses, he didn’t really see differences between woods”: Leo Fender didn’t think tonewoods made much difference to solidbody guitar tone
The tonewood debate is one of guitardom’s most hotly contested conversations. While one school of thought asserts the tonewood of a guitar has a formative…
“If you’re going to make instruments in 100 years, you better be growing that supply chain, not barely maintaining it”: When the guitar world’s most prized woods are endangered, how can we ensure the future of tone?
Developing the perfect guitar sound is a never-ending journey. From necks to pickups, guitarists dedicate hours to finding the ideal match. Increasingly, players are considering…
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