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“I was playing stuff I don’t think James Brown understood. He told me, ‘You have to play the one – you’re playing too much’”: Six years after he quit touring, Bootsy Collins reflects on James Brown and George Clinton, and what he gets out of playing today
In the ’60s, Bootsy Collins took an LSD trip to the stars, learning to dial in “the one” for an ever-demanding James Brown. After that,…
“He played upright but wanted to play the P-Bass. Motown said, ‘Nah, you ain't making no money playing that.’ But he said, ‘If you want me, I'm playing the P-Bass’”: Bootsy Collins on the musician that totally “changed his mind” about bass playing
Bootsy Collins’ larger-than-life persona and driving funk basslines have graced many a record, including most of the early Funkadelic and Parliament albums, a plethora of…
“Everywhere I went with the picture, I would show it to ’em, and they was like, it was something evil”: Bootsy Collins’ Space Bass design was turned down everywhere he went – his ‘last straw’ proved the winner
It’s no surprise that Bootsy Collins’ larger-than-life persona (and equally impressive career) extends to his gear – with his quintessential Space Bass, and its many…
“Until I found the Mu-Tron, I never heard anything that made the bass sound totally wacko”: How Bootsy Collins’ mastery of the envelope filter became the flamboyant funkateer’s signature sound
Parliament’s 1975 concept album Mothership Connection is among the best of a dozen or so tremendous P-Funk recordings produced between 1975 and 1979. The album also…
“Jimi Hendrix was my superhero, and so I threw a bit of his style into the bassline”: How a young Bootsy Collins took the James Brown bass chair to its busiest level on this Bootsy-fied recut from 1970’s Sex Machine
When James Brown passed away in 2006, popular music lost a true icon; the so-called ‘Godfather of Soul’ was a giant of the groove. Alluding…
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