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“Vox AC30s lasted half an hour and Fender Twins lasted an hour. 5150s sounded great for about 10 seconds, then they were fried”: Uli Jon Roth’s struggle to contain his brainchild, the Sky guitar – and why he never played Jimi Hendrix’s black Strat
In the 1970s Uli Jon Roth was a Strat-slinger with the Scorpions who loved to modify his guitar to sound like a violin. By the…
“I wanted to have the register like a violin. The luthier said to me, ‘I can build you any guitar you like.’ It was a lightbulb moment for me”: Uli John Roth on what you get when you cross a Strat and a Les Paul with a violin hybrid
From Gary Moore’s broodingly romantic Parisienne Walkways to Rush’s Xanadu and Jimmy Page ditching guitar picks for bows, guitarists have often tried to emulate the…
“He gave the CD to George. The next thing I know he calls to ask if we’d play at their Christmas party”: How Robin Nolan went from busking on the streets of Amsterdam to collaborating with George Harrison – and hanging out with Paul McCartney
The music industry isn’t short of surprise success stories, but few guitarists have enjoyed a glow-up quite like Robin Nolan has, after the gypsy jazz…
Scorpions’ Uli Jon Roth is not a fan of metal: “Metal actually didn’t really bring that much new”
Scorpions guitar legend Uli Jon Roth has claimed that he’s “not a big fan of metal”, arguing that the genre is “a caricature of…
“I got the impression that he needed to be quite forceful to get his songs onto Beatles records”: George Harrison orchestrator John Barham reflects on their shared love of Indian music and being conducted by Phil Spector
John Barham wrote the orchestral and choral arrangements for two of George Harrison’s most celebrated albums: 1970’s All Things Must Pass and 1973’s Living in…
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